Past In-Person Event: STAGED: Three Deuces Performance Activation feat. Derrick Hodge, Adam Deitch, & Annastezhaa Mitchell-Curtis 10/9/21 @ 2PM
This variant is currently sold out.
STAGED: Three Deuces takes its name from a legendary jazz club in New York, once located in a basement on 52nd Street. Once a month, the space is activated with renowned jazz musicians performing on classic instruments.
Jason Moran has invited musicians for a series of performances that highlight the jazz community of this region.
This STAGED: Three Deuces activation, on 10/9/21, will feature a performance from Derrick Hodge and friends.
Single General Admission Ticket
$20 for MCA members, $25 for non-members
A limited number of $5 student tickets are available. Student ID will be verified at check-in
Use promo code THREEDEUCES at checkout for MCA member pricing (and no need to login to your Shopify account, just use the discount code). Membership will be verified at check-in. Not a member yet? Memberships start at just $2/month! Learn more
Shows are open to all ages, but each person must have a ticket in order for us to stay within capacity.
Performance 2PM - 2:30PM
HEALTH & SAFETY
MCA Denver has updated our COVID-19 policy for all programs and special events. Beginning September 10, 2021 MCA Denver will be requiring proof of COVID-19 vaccination or proof of a negative COVID-19 test in addition to use of masks for all visitors attending any program or special event. Please read full details about our new requirements here.
If you are the ticket purchaser, it is your responsibility to communicate the MCA Denver vaccination and mask policy to others in your party. Approximately one to two days before your ticketed event, you will receive an event reminder with up-to-date guidelines. Please forward this email to your guests so that they know what to expect before your visit.
By purchasing and reserving your ticket, you acknowledge that you will comply with this policy while attending this program.
ABOUT THE MUSICIANS
Derrick Hodge is a celebrated composer and bassist who is equally adept on both electric and upright instruments. While he is best known as a member of the Robert Glasper Experiment, he is an accomplished session musician who has worked extensively across jazz, cinematic, and R&B genres.
Hodge was born in Philadelphia and first began playing electric guitar before switching to electric bass while still in elementary school. He played in his school’s concert band and orchestra. He was introduced to the contrabass in junior high, but had no formal instruction on the instrument when he undertook it. He taught himself the instrument by using his electric techniques and adapted them by watching the other string players in the orchestra. While in high school, Hodge performed in the orchestra and spent his spare time working on the many different kinds of music that were bubbling up in and around Philadelphia, from R&B and hip-hop to gospel and jazz. During this crucial period, he counted James Poyser and Jethaniel Nixon as primary influences.
Hodge attended Temple University’s Esther Boyer College of Music. He not only studied jazz composition and performance, but also took private lessons on both the upright and electric basses from Vince Fay. He was a member of the Temple University Jazz Band and Small Ensemble under Terell Stafford, but also the Temple University Symphony Orchestra and New Music Chamber Orchestra. Outside of school, he studied with Christian McBride at the Jazz Aspen Snowmass Summer Academy.
While still in school, Hodge began recording with a slew of Philly R&B and hip-hop talent, including Jill Scott, Musiq (Soulchild), and Floetry. He joined pianist Mulgrew Miller’s live and recording group in 2003. In 2005 he was the featured bassist on Common’s hit recording Be. The same year he began his compositions. Time spent understudying with Terence Blanchard was important because in addition to playing and composing, Hodge began studying film composition. He contributed cues to Blanchard’s score for Spike Lee’s film When the Levees Broke: A Requiem in Four Acts, as well as tunes to the trumpeter/composer’s A Tale of God’s Will (A Requiem for Katrina) in 2006. That year Hodge also played on Stefon Harris’ celebrated African Tarantella album. In 2007, Hodge contributed music, bass, and production to Common’s Finding Forever (he also played on two of the rapper’s subsequent albums). Other R&B and hip-hop artists him out as well, including Timbaland, Mos Def, Q-Tip, Kanye West, and Gerald Levert.
The bassist composed the score to Dawn Logsdon and Lolis Eric Elie’s documentary Faubourg Tremé: The Untold Story of Black New Orleans in 2008. That same year, Hodge joined the Robert Glasper Experiment with Chris Dave and Casey Benjamin, and composed the score for the Edet Belzberg film The Recruiter. The RGE made their recorded debut on the 2009 album Double Booked, and Hodge was bandleader and musical director on Maxwell’s BLACKsummers’night, and played on Blanchard’s Choices, and Gretchen Parlato’s In a Dream. In 2011, Hodge was busy recording and touring with the RGE. Later in the year they cut the monumental jazz-R&B-pop crossover hit Black Radio, which was released in February of 2012; they toured for the rest of year and into 2013. Also in 2012, M.K. Asante’s documentary The Black Candle, featuring a score by the bassist, made its debut on the Starz cable television network.
Hodge signed to Blue Note Records and began to record his solo debut during tour breaks. In early 2013, Black Radio won the Grammy for Best R&B Album. Hodge’s self-produced record Live Today arrived in August, with appearances by all members of the RGE, as well as Common, Poyser, Aaron Parks, and others, the recording hit the jazz charts and resonated long after. Though still occupied touring with Glasper, Hodge cut another solo album. Serving as composer, multi-instrumentalist, and producer, he finished Second in early 2016. Hodge played almost all instruments and did his own vocals. Drummer Mark Colenburg appeared on three tracks, and the horn section of trumpeter Keyon Harrold, trombonist Corey King, and tenor saxophonist Marcus Strickland appeared on another. Second was released at the end of August, three weeks before the Robert Glaser Experiment issued its third studio album, Artscience.